Passing Through: Bus-Tops

bustops

Bus.tops – a city wide can­vas for shar­ing the art of our streets, our com­mu­ni­ties, our Lon­don, our experience.

Bus.tops – if you can’t tell from the slide above that I’m sure made much more sense with peo­ple talk­ing over it – is a series of LED pan­els that are going to be attached to the top of bus stops around Lon­don for peo­ple to view from the sec­ond floor of the famous double-decker buses.  The con­tent will come from a num­ber of artists and pro­gram­mers, and will pre­sum­ably be made inter­ac­tive using the inter­faces shown in the slide.  It seems like an inter­est­ing way to make a piece that is unique to Lon­don by uti­liz­ing a resource that wouldn’t be avail­able any­where else in the world (or at least, not as famously avail­able.)  I might ques­tion how much inter­ac­tion would be pos­si­ble dur­ing a quick stop of the bus, but that’s a chal­lenge for the artists to work out, not me.  I’m just glad it wasn’t turned into ad space.

via a project to trans­form London’s Bus jour­neys | Bus-Tops.

Passing Through: Hat for the Insufficiently Happy

[Lau­ren] has cre­ated a facial con­di­tion­ing device dubbed the Hap­pi­ness Hat. The hat mea­sures a sen­sor at the wearer’s cheek to deter­mine if the wearer is smil­ing. When the hat does detects the wearer is not smil­ing, it acti­vates a servo that prods the wearer.

Ok.  I’m dis­turbed.  Maybe it’s just because I read too much Sluggy.

via Head­piece Jab­bing for Smiles — Hack a Day.

Blatant Plug: Open Source Art

pool_release_stream

“We need not destroy the past; it is gone. At any moment it might reap­pear and seem to be and be the present. Would it be a rep­e­ti­tion? Only if we thought we owned it, but since we don’t, it is free and so are we.”

John Cage, Lec­ture on Nothing

I have an arti­cle up in this month’s issue of the Open Source Busi­ness Resource jour­nal with an intro­duc­tion to some of the work I do at the Still Water lab.  It looks at how we are apply­ing the ideas of open source soft­ware devel­op­ment to other types of cre­ative pro­duc­tion and preser­va­tion in The Pool and the Vari­able Media Ques­tion­naire.  Cage’s quote above opens the arti­cle and neatly sum­ma­rizes one of the assump­tions built into the VMQ: cre­ation is a con­stant act of renewal.  Much like soft­ware, art is only fin­ished until the next ver­sion is released.

Passing Through: 1stfans at the Brooklyn Museum

The Brook­lyn Museum has a pro­gram run­ning where they’re try­ing to use social media to expand the scope of their supporters:

The big change we’ve made is tak­ing some­thing that is all mar­ket­ing (mem­ber­ship) and turned it into some­thing that is about per­sonal inter­ac­tions and grow­ing the com­mu­nity. We’ve gone from a one-directional mem­ber­ship experience—we send you stuff again and again, and then you show up–to a tri­an­gu­lar rela­tion­ship where Shel­ley and I get to know the 1stfans, they get to know us, and they get to know each other.

The idea here is that they have a cer­tain num­ber of peo­ple who are will­ing to pay for a tra­di­tional mem­ber­ship and a cer­tain num­ber of peo­ple who use their free ser­vices, but they want to cre­ate a mid­dle tier that’s based on exclu­sive con­tent.  In this case, the exclu­sive con­tent is par­tially being dis­trib­uted via social media: a pri­vate Face­book group, pri­vate Twit­ter feed, etc.  They chose a price point of $20 and launched from there.

This pro­gram shows how hard it is to draw an audi­ence to exclu­sive con­tent.  It launched in Dec. 2008 and was tar­geted at 10,000 peo­ple who par­tic­i­pate in the museum’s free First Sat­ur­day events.  As of Feb­ru­ary, when the linked arti­cle was writ­ten, the paid pro­gram had 272 mem­bers.  I’m not sure what the total num­ber is now, but since the exclu­sive 1stfans Twit­ter account only has 218 fol­low­ers as of this morn­ing, it seems like it’s remained a very small per­cent­age of the total audi­ence the museum was tar­get­ing.  It seems to be a reminder that hav­ing an online audi­ence by no means implies that you have a mon­e­ti­z­able audience.

via Museum 2.0: 1stfans: An Audience-Specific Mem­ber­ship Pro­gram at the Brook­lyn Museum.

EDIT:  Will (from the linked inter­view) responds to this post in the com­ments with some inter­est­ing thoughts and points out a bad assump­tion on my part, you should take a look at those for a closer per­spec­tive on this.

Passing Through: YAMona Lisa-Grayscale Using Coffee With Milk

In the grand tra­di­tion of recre­at­ing the Mona Lisa in as many bizarre ways as pos­si­ble, how about cof­fee with milk?

Interesting Things: Add-Art

addart-demo

Add-Art is a free Fire­Fox add-on which replaces adver­tis­ing on web­sites with curated art images. The art shows are updated every two weeks and fea­ture con­tem­po­rary artists and curators.

Inter­est­ing project that goes a step beyond AdBlock (which it’s based on) and replaces ad images on a site with some­thing they find a bit more desir­able.  It works by tap­ping into FireFox’s user base.  Mak­ing their project into a plu­gin makes keep­ing people’s atten­tion irrel­e­vant; since a plu­gin is a one-time install, all they need to do is grab your notice for a few sec­onds and your par­tic­i­pa­tion is locked-in until you man­u­ally go in and unin­stall.  Like impulse buy­ing, they don’t need you for any longer than it takes you to plunk down your cash or hit install.