John Bell: Blog
It's like Twitter on Ritalin
It's like Twitter on Ritalin
Oct 12th
There’s a bit of discussion right now about a working paper coming from Serguei Netessine and Tom F. Tan at Wharton that’s wondering how solid the Long Tail effect really is. A lot the criticism seems to come down to some definitions:
Anderson is also author of The Long Tail: Why the Future of Business Is Selling Less of More. The key difference between the opinion of the book and the study by Wharton researchers is how they define “hits” and “niches.” In the book, Anderson focuses on the definition of hits in absolute terms such as the top 10 or top 1,000 products, while Netessine and Tan argue that, to take growing product variety into account, one has to define popularity in relative terms, such as the top 1% or top 10% of products, to properly assess the presence or absence of the Long Tail.
The question of absolute v. relative definitions can obviously be looked at either way, but it seems to me that the real question is not how many total products are available (relative) but how many products are available that would not be were Netflix not shooting for the niches. That is, if we define a hit as the top 1% and 3000 movies are stocked by a standard brick and mortar company that isn’t capable of the logistics of being a Long Tail business, then the top 30 movies are the hits across the entire industry. For there to be a meaningful comparison between standard and Long Tail you’d have to consider that Long Tail is based on the premise that inventories are expanding and that is one of the things it is looking at, not try to calculate the expanding inventories into the definition of hits and niches. So I guess I have to agree with Anderson on that one.
Of course, this definitional question doesn’t change some of the very good points that the paper brings up about how the Long Tail effect is being used now. The most important one to me is the criticality of recommendation systems in a Long Tail business. All those niche products are just overhead if consumers don’t know they’re there. Netflix is obviously aware of the problem, given that the data used in this study was released by Netflix as part of a million dollar contest to improve their recommendation system. Based on my own experience as a Netflix customer, I have to say improvement is sorely needed–though I might question whether the recommendation system itself is the issue or the horribly non-browsable interface Netflix uses. (Well, really interfaces plural, since a large part of the problem is how they bounce back and forth between different looks depending on how you get to the data…but that’s a different discussion.)
It makes me wonder how much social recommendations are actually useful for Netflix. I don’t use that system myself, and it wouldn’t be visible in the data used in this study which was just of ratings data, but it seems like improvements to the social tools used by Netflix would provide a far superior recommendation system to the algorithms developed in the competition. For me, the issue is the lack of control that Netflix gives its customers. For instance, I don’t have any ability to choose which movies I’ve rated or rented will be visible to which friends in any sort of granular way. There’s no official integration between the closed “Netflix friends” community and other social networks, at least that I can find on Netflix’s site. That alone would be incredibly valuable; the idea of social networking is to make the person the center of knowledge, not the network, and Netflix’s friends don’t allow that.
via Rethinking the Long Tail Theory: How to Define ‘Hits’ and ‘Niches’ — Knowledge@Wharton.
Sep 17th
Twitter has become a playground for imbeciles, skeevy marketers, D-list celebrity half-wits, and pathetic attention seekers: Shaquille O’Neal, Kim Kardashian, Ryan Seacrest. Sure, some serious people, like George Stephanopoulos and Al Gore, use Twitter. And a lot of publishing companies and bloggers (myself included) use Twitter to send links to articles we’ve published. But most of what streams across Twitter is junk. One recent study concluded that 40 percent of the messages are “pointless babble.”
Really? 40% of Twitter messages are “pointless babble”? Maybe it’s just me, but compared to television, radio, blogs, and, well, everyday conversations, that’s an amazingly good signal-to-noise ratio.
While Daniel Lyons catches up with those of us who have seen Idiocracy, a couple of other thoughts:
Sep 16th
Frank Rose’s Wired column asks if advertising on social networking sites is inherently a flawed process because users aren’t interested in advertising in the same place that they’re talking to their friends. (Ted McConnell, head of interactive marketing and innovation at Procter & Gamble, even has the priceless quote: “What in heaven’s name made you think you could monetize the real estate in which somebody is breaking up with their girlfriend?”) But after reading Rose’s reasoning, I’m left with a few questions:

Sep 5th

Image by Aldo Frullini
Thinking about Andrew Chen’s What’s your viral loop? Understanding the engine of adoption:
Sep 3rd
A few thoughts on Douglas Holt’s “The Problem with Viral Branding”: