Intro to Processing: Functions

Start­ing a series of videos on some basic con­cepts and tech­niques for using Pro­cess­ing.  First up:  functions.

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Intro to Processing: Linked Sketch

A quick demo of link­ing to a Pro­cess­ing sketch from Word­press.  I’m link­ing because it’s some­what painful to embed one–you need to change the allowed media uploads list in PHP, then make sure you only use the plain­text edi­tor mode for the post and remove any car­riage returns from the applet code that you copy/paste.

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Passing Through: Less Than Free Software

Image by Federico Fieni

Image by Fed­erico Fieni

I then asked my friend, “so why would they ever use the Google (non open source) license ver­sion.” (EDIT: One of the com­menters below pointed out that all Android is open source, and the Google apps pack, includ­ing the GPS, is licensed on top. Doesn’t change the argu­ment, but wanted the cor­rect data included here.) Here was the big punch line – because Google will give you ad splits on search if you use that ver­sion! That’s right; Google will pay you to use their mobile OS. I like to call this the “less than free” busi­ness model. This is a remark­able card to play. Because of its dom­i­nance in search, Google has ad rates that blow away the com­pe­ti­tion. To com­pete at an equally “less than free” price point, Sym­bian or win­dows mobile would need to sub­si­dize. Dou­ble ouch!!

From the “Google is the new Microsoft” depart­ment:  Bill Gur­ley writes about Google’s bundling offer of free turn-by-turn nav­i­ga­tion with their Android mobile OS, and how it’s a case of Google using their dom­i­nance as lever­age to pay peo­ple to adopt their prod­uct.  Hmm…where have I heard this before?  Though the prac­tice isn’t quite as new as Gur­ley makes it sound, the arti­cle is inter­est­ing because it goes into the rela­tion­ships Google estab­lished and broke off as it’s Maps ser­vice devel­oped.  Again, there’s a famil­iar tem­plate:  Buy data and exper­tise until you can ramp up your own ser­vice that com­petes with the peo­ple you were just part­nered with at a level that ensures you will win.

I do have to won­der, though, if build­ing crit­i­cal data appli­ca­tions on a frame­work that is depen­dent upon adver­tis­ing dol­lars is a good idea.  Look at what has hap­pened to jour­nal­ism, a socially-critical indus­try that became tied to adver­tis­ing money–the almost inevitable response to increased com­pe­ti­tion has been the devel­op­ment of out­lets like Fox and MSNBC.  Google’s less than free model may be tying peo­ple to their ver­sion of Android for the moment, but that will only last as long as it takes for some­body to fig­ure out how to make more money using the true open source ver­sion of Android than they can get from Google’s kick­backs.  When the com­pe­ti­tion inevitably increases, what hap­pens then?  Can Google con­tinue to make money with­out col­or­ing their data to make what­ever con­stituents give them the most cash happy?  With other map­ping com­pa­nies hav­ing been put out of busi­ness in the interim, it could well turn into another case of money-generated reality.

via Google Rede­fines Dis­rup­tion: The “Less Than Free” Busi­ness Model « abovethecrowd.com.

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Passing Through: Bus-Tops

bustops

Bus.tops – a city wide can­vas for shar­ing the art of our streets, our com­mu­ni­ties, our Lon­don, our experience.

Bus.tops – if you can’t tell from the slide above that I’m sure made much more sense with peo­ple talk­ing over it – is a series of LED pan­els that are going to be attached to the top of bus stops around Lon­don for peo­ple to view from the sec­ond floor of the famous double-decker buses.  The con­tent will come from a num­ber of artists and pro­gram­mers, and will pre­sum­ably be made inter­ac­tive using the inter­faces shown in the slide.  It seems like an inter­est­ing way to make a piece that is unique to Lon­don by uti­liz­ing a resource that wouldn’t be avail­able any­where else in the world (or at least, not as famously avail­able.)  I might ques­tion how much inter­ac­tion would be pos­si­ble dur­ing a quick stop of the bus, but that’s a chal­lenge for the artists to work out, not me.  I’m just glad it wasn’t turned into ad space.

via a project to trans­form London’s Bus jour­neys | Bus-Tops.

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Passing Through: Radioactivity is the Path to Power

Research­ing the his­tory of crit­i­cal­ity acci­dents made me won­der how acci­den­tal expo­sure to mas­sive lev­els of radi­a­tion became the de rigueur method of achiev­ing superhero-dom. And, while I sup­pose comic book writ­ers would have a well-formed opin­ion or two on this, I decided to ask a group of peo­ple whose point of view I’d never seen–actual nuclear scientists.

via The Blue Flash: Nuclear Acci­dents and the Ori­gins of Super­hero Ori­gins — Boing Boing.

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Passing Through: Hat for the Insufficiently Happy

[Lau­ren] has cre­ated a facial con­di­tion­ing device dubbed the Hap­pi­ness Hat. The hat mea­sures a sen­sor at the wearer’s cheek to deter­mine if the wearer is smil­ing. When the hat does detects the wearer is not smil­ing, it acti­vates a servo that prods the wearer.

Ok.  I’m dis­turbed.  Maybe it’s just because I read too much Sluggy.

via Head­piece Jab­bing for Smiles — Hack a Day.

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Creeping Inevitability: Search Engines Index Tweets

The Fail Whale

Microsoft’s search engine Bing has struck a deal with Face­book and the hot micro-messaging ser­vice Twit­ter, a brash attempt to add real-time web updates to its search results in order to make Google look like a lum­ber­ing dinosaur.

While we’re still digest­ing the news of Bing adding Twit­ter to its search engine, Google has some news of their own: they’re about to do the same exact thing.

Search­ing Twit­ter traf­fic ini­tially seems kind of odd.  Then, after a bit of thought, it starts to sound a bit bet­ter.  Finally, after a lot of reflec­tion, it starts to ven­ture into the realm of the bizarre.  Here a quick sum­mary of the stages of acceptance:

1 — Odd­ity:  Why would you want to add Twit­ter traf­fic to a search engine?  Twit­ter is all about quick thoughts between you and your ten thou­sand clos­est friends.  Search engines are sup­posed to be good at answer­ing ques­tions, and most ques­tions require more than 140 char­ac­ters to answer com­pletely.  (I’ll blithely ignore the ques­tion of whether most peo­ple doing searches actu­ally care about com­plete answers.)  On first blush, it doesn’t seem like a great match.

2 — Sense:  So why would Google and Microsoft be inter­ested in index­ing tweets, then?  Assum­ing it’s more than just a PR chasing-buzzwords stunt (not nec­es­sar­ily a good assump­tion, but…) how would index­ing tweets add value to the core of their search busi­nesses?  Well, if you treat tweets more as meta­data than search data, it starts to make more sense.  A good per­cent­age of tweets con­tain links, and once you fil­ter out spam you’re left with a lot of links that have been determined–by actual humans!–to be inter­est­ing.  Machine intel­li­gence is great, but humans are still bet­ter at fig­ur­ing out which pages are worth­while and which aren’t…this is the idea behind Mahalo and the like.  If Google and Microsoft can mine that data to improve the qual­ity of their hits, index­ing tweets sud­denly makes more sense.

3 — Non­sense:  But if that’s the goal, why make the tweets them­selves search­able?  That’s going back to treat­ing the tweets as actual data again, which seems ques­tion­able at best.  If peo­ple start to see their tweets show up in search engines that will change the way Twit­ter is used.  Right now it’s treated as an ephemeral medium; incor­rectly in the­ory, since Twit­ter is already search­able, but given how well Twitter’s search engine works, it might actu­ally be true.  With sto­ries pop­ping up all over the place remind­ing peo­ple to be cau­tious about what they put on Face­book or MySpace, does Twit­ter really want to be included in the list of ser­vices to fear?  I’m sure there are good reasons–probably money–for Twit­ter to get involved in this deal, but it’s not with­out risk.

via Bing Part­ners With Twit­ter and Face­book for Real-Time Search and  BREAKING: Google Announces Search Deal With Twit­ter.

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Passing Through: Portable Data in the Cloud

[…] many web-based ser­vices make it dif­fi­cult for you to export your data. Worse, they’ll charge you a fee for the priv­i­lege. Some offer APIs — a bonus if you’re tech­ni­cally astute, but a solu­tion that leaves the aver­age user short on options.

To pre­vent such headaches, Google recently launched the Data Lib­er­a­tion Front, an ini­tia­tive within the com­pany to ensure every one of its prod­ucts has a clear, easy option for users to export their data in bulk and take their busi­ness elsewhere.

Very encour­ag­ing inter­view up on Web­mon­key with Brian Fitz­patrick, a Google engi­neer­ing man­ager who’s lead­ing a team that’s mak­ing sure all the data you give to Google can actu­ally be retrieved and ported to another ser­vice.  (Ok, not all the data…I sus­pect things like dis­cov­er­ing your AdSense will be curi­ously absent since Google prob­a­bly doesn’t con­sider it your data.  Though they do at least let you opt out now.)  The abil­ity to down­load all of your data is great, and I hope that other online ser­vices fol­low suit.  Of course, there are leaks in the sys­tem (the inter­view men­tions that meta­data isn’t quite as easy to export as actual data) but it’s a start.

via Pack Up Your Data and Leave When­ever You Want It s the New Rule of the Cloud — Web­mon­key.

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Digestion: Rethinking the Long Tail Theory

Photo by Amanda Gyllenhaal

Photo by Amanda Gyllenhaal

There’s a bit of dis­cus­sion right now about a work­ing paper com­ing from Ser­guei Netes­sine and Tom F. Tan at Whar­ton that’s won­der­ing how solid the Long Tail effect really is.  A lot the crit­i­cism seems to come down to some definitions:

Ander­son is also author of The Long Tail: Why the Future of Busi­ness Is Sell­ing Less of More. The key dif­fer­ence between the opin­ion of the book and the study by Whar­ton researchers is how they define “hits” and “niches.” In the book, Ander­son focuses on the def­i­n­i­tion of hits in absolute terms such as the top 10 or top 1,000 prod­ucts, while Netes­sine and Tan argue that, to take grow­ing prod­uct vari­ety into account, one has to define pop­u­lar­ity in rel­a­tive terms, such as the top 1% or top 10% of prod­ucts, to prop­erly assess the pres­ence or absence of the Long Tail.

The ques­tion of absolute v. rel­a­tive def­i­n­i­tions can obvi­ously be looked at either way, but it seems to me that the real ques­tion is not how many total prod­ucts are avail­able (rel­a­tive) but how many prod­ucts are avail­able that would not be were Net­flix not shoot­ing for the niches.  That is, if we define a hit as the top 1% and 3000 movies are stocked by a stan­dard brick and mor­tar com­pany that isn’t capa­ble of the logis­tics of being a Long Tail busi­ness, then the top 30 movies are the hits across the entire indus­try.  For there to be a mean­ing­ful com­par­i­son between stan­dard and Long Tail you’d have to con­sider that Long Tail is based on the premise that inven­to­ries are expand­ing and that is one of the things it is look­ing at, not try to cal­cu­late the expand­ing inven­to­ries into the def­i­n­i­tion of hits and niches.  So I guess I have to agree with Ander­son on that one.

Of course, this def­i­n­i­tional ques­tion doesn’t change some of the very good points that the paper brings up about how the Long Tail effect is being used now.  The most impor­tant one to me is the crit­i­cal­ity of rec­om­men­da­tion sys­tems in a Long Tail busi­ness.  All those niche prod­ucts are just over­head if con­sumers don’t know they’re there.  Net­flix is obvi­ously aware of the prob­lem, given that the data used in this study was released by Net­flix as part of a mil­lion dol­lar con­test to improve their rec­om­men­da­tion sys­tem.  Based on my own expe­ri­ence as a Net­flix cus­tomer, I have to say improve­ment is sorely needed–though I might ques­tion whether the rec­om­men­da­tion sys­tem itself is the issue or the hor­ri­bly non-browsable inter­face Net­flix uses.  (Well, really inter­faces plural, since a large part of the prob­lem is how they bounce back and forth between dif­fer­ent looks depend­ing on how you get to the data…but that’s a dif­fer­ent discussion.)

It makes me won­der how much social rec­om­men­da­tions are actu­ally use­ful for Net­flix.  I don’t use that sys­tem myself, and it wouldn’t be vis­i­ble in the data used in this study which was just of rat­ings data, but it seems like improve­ments to the social tools used by Net­flix would pro­vide a far supe­rior rec­om­men­da­tion sys­tem to the algo­rithms devel­oped in the com­pe­ti­tion.  For me, the issue is the lack of con­trol that Net­flix gives its cus­tomers.  For instance, I don’t have any abil­ity to choose which movies I’ve rated or rented will be vis­i­ble to which friends in any sort of gran­u­lar way.  There’s no offi­cial inte­gra­tion between the closed “Net­flix friends” com­mu­nity and other social net­works, at least that I can find on Netflix’s site.  That alone would be incred­i­bly valu­able; the idea of social net­work­ing is to make the per­son the cen­ter of knowl­edge, not the net­work, and Netflix’s friends don’t allow that.

via Rethink­ing the Long Tail The­ory: How to Define ‘Hits’ and ‘Niches’ — Knowledge@Wharton.

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Blatant Plug: Open Source Art

pool_release_stream

“We need not destroy the past; it is gone. At any moment it might reap­pear and seem to be and be the present. Would it be a rep­e­ti­tion? Only if we thought we owned it, but since we don’t, it is free and so are we.”

John Cage, Lec­ture on Nothing

I have an arti­cle up in this month’s issue of the Open Source Busi­ness Resource jour­nal with an intro­duc­tion to some of the work I do at the Still Water lab.  It looks at how we are apply­ing the ideas of open source soft­ware devel­op­ment to other types of cre­ative pro­duc­tion and preser­va­tion in The Pool and the Vari­able Media Ques­tion­naire.  Cage’s quote above opens the arti­cle and neatly sum­ma­rizes one of the assump­tions built into the VMQ: cre­ation is a con­stant act of renewal.  Much like soft­ware, art is only fin­ished until the next ver­sion is released.

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